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Strong female lead

18 reviews

Cover of Jinian Star-Eye
fantasy · 1986

Jinian Star-Eye

by Sheri S. Tepper

A promising finale to the Jinian trilogy takes a horrifying turn when its treatment of disability, eugenics, and supposedly soulless children undermines everything that came before. What begins as an imaginative fantasy adventure ends in an ethically disastrous mess.

Cover of Dervish Daughter
fantasy · 1986

Dervish Daughter

by Sheri S. Tepper

Jinian's second outing loses some of the charm and cohesion of *Jinian Footseer*, especially thanks to underdeveloped companions and Peter's obnoxious pressure for sex, but once Jinian gets room to act on her own, the book finally catches fire.

Cover of Jinian Footseer
fantasy · 1985

Jinian Footseer

by Sheri S. Tepper

A pragmatic young woman sets off through a richly imagined fantasy world, encountering strange creatures, mysterious old gods, and no shortage of adventures—with six wonderful older women offering support along the way. A captivating, meandering journey whose pleasures far outweigh its frustratingly rushed conclusion.

Cover of The Duchess of Kneedeep
sci-fi · 1986

The Duchess of Kneedeep

by Atanielle Annyn Noel

A runaway duchess flees across an absurd planet where seemingly every man she encounters threatens her with sexual violence or murder. Tepid jokes, shallow characters, and a twist that trivializes her entirely reasonable fears made this supposed comedy impossible to finish.

Cover of The Hero and the Crown
fantasy · 1984

The Hero and the Crown

by Robin McKinley

Aerin, the ostracized daughter of Damar's king, must forge a place for herself in a world that doubts her worth. An intimate, fiercely feminist coming-of-age fantasy about persistence, compassion, and finding strength without losing yourself—and a book that helped shape who I became.

Cover of The Blue Sword
fantasy · 1982

The Blue Sword

by Robin McKinley

Harry Crewe, a young woman displaced to a remote desert frontier, finds herself drawn into the magical world of the Hillfolk. A languid, traditional chosen-one fantasy whose unremarkable plot is more than redeemed by the quiet strength, dignity, and wonderfully nuanced characterization of its heroine.

Cover of Dancer of the Sixth
sci-fi · 1993

Dancer of the Sixth

by Michelle Shirey Crean

A military intelligence agent discovers someone has stolen her former identity and must go undercover as herself to investigate. A terrific premise buried beneath bloated prose, tedious exposition, and a mystery that loses its tension almost immediately.

Cover of Soul-Singer of Tyrnos
fantasy · 1981

Soul-Singer of Tyrnos

by Ardath Mayhar

A young Singer follows the gods' guidance across Tyrnos, using the magic of song to heal suffering and expose corruption. A compact, traditional fantasy quest with likable characters, unusual magic, and just enough adventure to scratch that fantasy itch.

Cover of Watchstar
sci-fi · 1980

Watchstar

by Pamela Sargent

A solitary young woman in a telepathic society must protect an outsider while preparing for a dangerous coming-of-age ordeal. A thoughtfully written exploration of consciousness, morality, and cultural contact—though its philosophical interests didn't entirely align with mine.

Cover of Two-Bit Heroes
fantasy · 1992

Two-Bit Heroes

by Doris Egan

Theodora returns to Ivory, gets engaged to Ran, and finds herself tangled up with a band of outlaws. A slow start and a messy ending can't spoil the delight of spending more time with Doris Egan's wonderfully human characters.

Cover of Islands
sci-fi · 1976

Islands

by Marta Randall

In a world of immortals, Tia Hamley is the one woman who will grow old and die. A beautifully written, deeply human exploration of mortality, identity, and connection, somewhat undermined by its metaphysical ending.

Cover of The Time of the Dark
fantasy · 1982

The Time of the Dark

by Barbara Hambly

A medieval historian, a drifter, and a magnificent old wizard find themselves fighting to survive an apocalypse in another world. An unexpectedly thin plot and unconvincingly resilient protagonists disappoint, but Ingold nearly saves the whole thing.

Cover of The Gate of Ivory
speculative · 1989

The Gate of Ivory

by Doris Egan

A pragmatic young woman stranded on a magical planet finds friendship, intrigue, and a wonderfully unconventional family. Clever, funny, deeply human, and an absolute delight from beginning to end.

Cover of Sword-Dancer
fantasy · 1986

Sword-Dancer

by Jennifer Roberson

A chauvinist sword-for-hire and a formidable swordswoman make for a surprisingly funny, feminist adventure—until terrible decisions and a rushed final act derail everything.

Cover of Demon Drums
fantasy · 1992

Demon Drums

by Carol Severance

God-killing, magical drums, witches, shapeshifters, and flying dolphins. A fascinating island fantasy with far more ideas than its 240 pages can possibly accommodate.

Cover of The Wicked Enchantment
fantasy · 1955

The Wicked Enchantment

by Margot Benary-Isbert

An eleven-year-old girl, three eccentric aunts, a magnificent collection of animals, and a rebellion involving Easter eggs. Delightfully feminist middle-grade fantasy that deserves to be a classic.

Cover of Found
sci-fi · 1996

Found

by June Oldham

A childhood favorite that holds up beautifully, with evocative prose, unexpected friendships, and a surprising amount of emotional depth.

Cover of War for the Oaks
fantasy · 1987

War for the Oaks

by Emma Bull

It’s good—it’s dazzlingly good—but it’s also quite simple. War for the Oaks is lyrical, methodical, and shines with an exquisite attention to detail.