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1960s

7 reviews

Cover of The Nature of Witches
speculative · 1964

The Nature of Witches

by Joan Sanders

An American scientist in Sweden begins to wonder whether his estranged wife is a witch. Surprisingly perceptive prose and vivid characterization give way to appalling misogyny, sexual violence, and an ending that rewards an utterly reprehensible protagonist.

Cover of Daughter of Night
sci-fi · 1966

Daughter of Night

by Lydia Obukhova

Lilith's prehistoric world collides with an alien civilization facing cosmic annihilation. An intriguing retelling of ancient mythology gets lost in metaphysical exposition, though its Soviet author's remarkable history adds another dimension to the story.

Cover of House of Illusion
speculative · 1969

House of Illusion

by Nicola Devon

A young librarian visits her eccentric aunt's mysterious estate, hoping for adventure. An intriguing opening, a charming mechanic, and some genuinely terrible plotting make for a deeply disappointing Gothic mystery.

Cover of Suffer a Witch to Die
speculative · 1969

Suffer a Witch to Die

by Elizabeth Davis

A wonderfully obscure 1960s Gothic thriller about a widow transported into the body of her Puritan doppelgänger during the Salem witch trials. Eerie, inventive, and just a little too short for its own good.

Cover of The Witches
fantasy · 1968

The Witches

by Françoise Mallet-Joris

Twenty-eight pages into this literary tale of witchcraft, I surrendered to its relentlessly philosophical narrator. Not necessarily a bad book, but one whose storytelling style is spectacularly incompatible with mine.

Cover of Daughters of Earth
sci-fi · 1968

Daughters of Earth

by Judith Merril

Three vintage science-fiction stories, one painfully misogynistic and two extraordinary. An intimate multigenerational history of women exploring space and a telepathic encounter between a stranded child and an alien mother make this collection well worth reading.

Cover of The Serpent
fantasy · 1963

The Serpent

by Jane Gaskell

A sheltered goddess-princess is thrust into a brutal world where women's sexuality is both a liability and a source of power. Beautiful, devastating, unexpectedly funny, and one of the most thought-provoking novels I've read.